\nThursday 10 April 2025 at 7pm<\/strong><\/p>\n
Glass Eyes<\/i><\/b> is an upcoming stage piece by choreographer Mikko Niemist\u00f6<\/b>. In collaboration with dancer Marika Peura<\/b>, stage designer Sofia Palillo<\/b>, lighting designer Kristian Palmu<\/strong>, costume designer Siru Kosonen <\/strong>and violinist Elias Riipinen<\/b>, the piece places the human body at the intersection of science and mysticism.<\/p>\n The work embraces the unknown and hidden parts of the body by emphasizing things like the pre-conscious, dreams and omens. It broadens the view of the human body from the capitalistic era to history before the scientific revolution, when the supernatural was more entangled with science and medicine.<\/p>\n Niemist\u00f6 will be in residency at Les SUBS in Lyon from 31 March to 12 April 2025. Glass Eyes<\/i> will be presented during an open studio event, accompanied by violinist Elias Riipinen on Thursday 10 April 2025 at 7pm. To learn more and reserve your free ticket click here<\/a>.<\/p>\n Mikko Niemist\u00f6<\/i><\/b> is a Helsinki-based choreographer and a performance artist, who graduated with <\/i>a Master of Fine Arts degree in Choreography at the DOCH \u2013 University of Dance and Circus in Stockholm in 2017<\/i>. He is interested in broken realities in contemporary culture and things that linger in the background like noise and stream of consciousness. His current work focuses on the shadowy areas of everyday reality, such as dreams, psychedelia and the supernatural. More information <\/i>here<\/i><\/a>.<\/i><\/p>\n The residency is supported by Institut finlandais within the framework of the pARTir initiative, funded by the European Union \u2013 NextGenerationEU.<\/i><\/p>\n Mikko Niemist\u00f6: Glass Eyes Open studio at Les SUBS, Lyon Thursday 10 April 2025 at 7pm Glass Eyes is an upcoming stage piece by choreographer Mikko Niemist\u00f6. In collaboration with dancer Marika Peura, stage designer Sofia Palillo, lighting designer Kristian Palmu, costume designer Siru Kosonen and violinist Elias Riipinen, the piece places the human body […]<\/p>\n","protected":false},"author":9,"featured_media":8274,"parent":7049,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-partir-alasivut.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-8278","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/pages\/8278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/comments?post=8278"}],"version-history":[{"count":1,"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/pages\/8278\/revisions"}],"predecessor-version":[{"id":8279,"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/pages\/8278\/revisions\/8279"}],"up":[{"embeddable":true,"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/pages\/7049"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/media\/8274"}],"wp:attachment":[{"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/media?parent=8278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/instituutit.fi\/hallinta\/wp-content\/uploads\/2024\/11\/nextgeneu_en-450x135.jpg\")
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