{"id":7816,"date":"2024-08-30T19:48:32","date_gmt":"2024-08-30T16:48:32","guid":{"rendered":"https:\/\/instituutit.fi\/?page_id=7816"},"modified":"2024-10-30T20:54:18","modified_gmt":"2024-10-30T17:54:18","slug":"sonya-lindfors-one-drop-2","status":"publish","type":"page","link":"https:\/\/instituutit.fi\/en\/what-is-partir-project\/projects\/sonya-lindfors-one-drop-2\/","title":{"rendered":"Sonya Lindfors: ONE DROP"},"content":{"rendered":"<h1><i>Sonya Lindfors: ONE DROP<\/i><\/h1>\n<p><i>Confronting the echoes of the \u2018one drop\u2019 rhythm and the \u2018one drop rule\u2019 with power, anti-racist love and resistance.<\/i><\/p>\n<p>Friday, 18.10.2024 at 20:30 + talk<br \/>\nSaturday, 19.10.2024 at 20:30<\/p>\n<p>Beursschouwburg, 20 \u2013 28 Rue Auguste Orts, 1000 Brussels<\/p>\n<p>The performance lasts 105 minutes and takes place in English.<br \/>\nThe performance takes place in the Golden Place and is accessible to people with reduced mobility. If you require information or assistance please talk to staff on your arrival or contact the team via 02 550 03 50 or hello@beursschouwburg.be.<\/p>\n<p>\u20ac16 standard \/ \u20ac12 reduction \/ \u20ac8 students<br \/>\n<a href=\"https:\/\/apps.ticketmatic.com\/widgets\/beursschouwburg\/flow\/tickets?event=480582840403,741947320565&amp;l=en#!\/addtickets\">Get your tickets.<\/a><\/p>\n<h2>About <i>ONE DROP<\/i><\/h2>\n<p><i>ONE DROP<\/i>, a new performance by <b>Sonya Lindfors<\/b> &amp; working group, is a speculative summoning, a decolonial dream, an autopsy of the Western stage and an operetta. Defying definition and belonging to multiple categories, the work dives into the poetics and politics of relations, creating a performance that reignites connections lost or forgotten.<\/p>\n<p>The work\u2019s title refers to two frameworks: the \u201cone drop\u201d rhythm, a reggae-style drum beat, and the \u201cone drop rule\u201d of the Race Separation Act in the United States from the early 1900s. According to this rule, a single drop of \u201cBlack blood\u201d made a person \u201cBlack\u201d despite their appearance. Through these starting points, the work interrogates the ghosts of the Western stage and its entanglements with capitalism, coloniality, and modernity.<\/p>\n<p>\u2018One Drop\u2019 continues Sonya Lindfors\u2019 series of works dealing with power, representation, and Black body politics. This is the second time Lindfors presents at Beursschouwburg, following <a href=\"https:\/\/www.beursschouwburg.be\/en\/events\/sonya-lindfors-cosmic-latte\/\">\u2018Cosmic Latte\u2019 in 2019<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<h3>Sonya Lindfors<\/h3>\n<p>Award winning Cameroonian-Finnish choreographer and artistic director Sonya Lindfors creates important work exploring power, representation and Black body politics. She is the Artistic Director and founding member of <a href=\"http:\/\/www.urbanapa.fi\/\">UrbanApa<\/a>, an interdisciplinary and counter hegemonic arts community that offers a platform for new ideas and feminist art practices.<\/p>\n<p><a href=\"https:\/\/www.sonyalindfors.com\/\">Visit Sonya Lindfors\u2019 website.<br \/>\n<\/a><a href=\"https:\/\/www.instagram.com\/sonyalindfors\/\">Visit Sonya Lindfors\u2019 instagram.<\/a><\/p>\n<h3>Credits<\/h3>\n<p>Choreography &amp; directing: Sonya Lindfors<br \/>\nOriginal group of performers: <b>Antonia Atarah<\/b>, <b>Hamis Ahmed<\/b>, <b>Nori Kin<\/b>, <b>Alma B\u00f8 Getachew<\/b>, <b>Mariama Sl\u00e5tt\u00f8y<\/b>, <b>Geoffrey Erista<\/b>, <b>Isabella Shaw<\/b><b><br \/>\n<\/b>Performers on tour 2024: <b>Isabella Shaw<\/b>, <b>Maele Sabuni<\/b>, <b>Deogracias Masomi<\/b>,<b> Geoffrey Erista<\/b>, <b>Marlon Moilanen<\/b>, <b>Miranda Chambers<\/b>, <b>Selina Jones<\/b>, <b>Alen Nsambu<\/b>, <b>DK Fashola<\/b><b><br \/>\n<\/b>Sound design: <b>Jussi Matikainen<\/b><b><br \/>\n<\/b>Light design: <b>Erno Aaltonen<\/b><b><br \/>\n<\/b>Set design: <b>Aino Koski<\/b><b><br \/>\n<\/b>Costume design: <b>Sanna Levo<\/b><b><br \/>\n<\/b>Choreographer\u2019s assistant: <b>Janina Salmela<\/b><b><br \/>\n<\/b>Costume assistant: <b>Angel Emmanuel<\/b><b><br \/>\n<\/b>Rehearsal assistant &amp; choreographic support: <b>Johanna Karlberg<\/b><b><br \/>\n<\/b>Sound designers assistant: <b>Timo Tikka<\/b><b><br \/>\n<\/b>Seamstress: <b>Elina Tuomisto<\/b><b><br \/>\n<\/b>Contributors to the process: <b>Ornilia Ubisse<\/b>,<b> Judith Arupa<\/b>, <b>Alen Nsambu<\/b>, <b>Johanna Karlberg<\/b>, <b>Jaakko Pallasvuo<\/b><b><br \/>\n<\/b>Dramaturgical support: <b>Jaakko Pallasvuo<\/b><b><br \/>\n<\/b>Libretto: Sonya Lindfors<br \/>\nOther texts: Sonya Lindfors &amp; working group<br \/>\nProduction:<b> UTT ry<\/b> and Sonya Lindfors<br \/>\nCo-production: Zodiak \u2013 center for new dance, Goethe-Institut (International Coproduction Fund), Big Pulse Dance Alliance (a project co-funded by the Creative Europe Programme of the European Union), Dance Umbrella, Julidans, Finnish Cultural Institute for the Benelux, Apap \u2013 FEMINIST FUTURES (a project co-funded by the Creative Europe Programme of the European Union), Beursschouwburg<br \/>\nResidencies: Tanzfabrik berlin, KWP Kunstenwerkplaats, Buda Kortrijk, Beursschouwburg<br \/>\nSupported by Koneen S\u00e4\u00e4ti\u00f6, Suomen Kulttuurirahasto, Alfred Kordelinin s\u00e4\u00e4ti\u00f6, Nordic Culture Point<br \/>\nPromotional images &amp; trailer: <b>Tuukka Ervasti<\/b><\/p>\n<p>With the support of the Finnish Cultural Institute for the Benelux as part of the pARTir initiative funded by the European Union \u2013 NextGenerationEU.<\/p>\n<p><i>PARTir is a collaborative initiative of the Finnish cultural and academic institutes aimed at creating a cultural roadmap towards responsible international mobility.<\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-7100\" src=\"https:\/\/instituutit.fi\/hallinta\/wp-content\/uploads\/2024\/05\/EN-Funded-by-the-European-Union_POS1-450x116.jpg\" alt=\"\" width=\"450\" height=\"116\" srcset=\"https:\/\/instituutit.fi\/hallinta\/wp-content\/uploads\/2024\/05\/EN-Funded-by-the-European-Union_POS1-450x116.jpg 450w, https:\/\/instituutit.fi\/hallinta\/wp-content\/uploads\/2024\/05\/EN-Funded-by-the-European-Union_POS1-690x179.jpg 690w, https:\/\/instituutit.fi\/hallinta\/wp-content\/uploads\/2024\/05\/EN-Funded-by-the-European-Union_POS1-768x199.jpg 768w, https:\/\/instituutit.fi\/hallinta\/wp-content\/uploads\/2024\/05\/EN-Funded-by-the-European-Union_POS1-1536x397.jpg 1536w, https:\/\/instituutit.fi\/hallinta\/wp-content\/uploads\/2024\/05\/EN-Funded-by-the-European-Union_POS1-2048x530.jpg 2048w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\n<div id='gallery-1' class='gallery galleryid-7816 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/instituutit.fi\/en\/3-4-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/instituutit.fi\/hallinta\/wp-content\/uploads\/2024\/07\/3-300x300.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/instituutit.fi\/hallinta\/wp-content\/uploads\/2024\/07\/3-300x300.png 300w, https:\/\/instituutit.fi\/hallinta\/wp-content\/uploads\/2024\/07\/3-335x335.png 335w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/instituutit.fi\/en\/2-5-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/instituutit.fi\/hallinta\/wp-content\/uploads\/2024\/07\/2-300x300.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/instituutit.fi\/hallinta\/wp-content\/uploads\/2024\/07\/2-300x300.png 300w, https:\/\/instituutit.fi\/hallinta\/wp-content\/uploads\/2024\/07\/2-335x335.png 335w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Sonya Lindfors: ONE DROP Confronting the echoes of the \u2018one drop\u2019 rhythm and the \u2018one drop rule\u2019 with power, anti-racist love and resistance. Friday, 18.10.2024 at 20:30 + talk Saturday, 19.10.2024 at 20:30 Beursschouwburg, 20 \u2013 28 Rue Auguste Orts, 1000 Brussels The performance lasts 105 minutes and takes place in English. The performance takes [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":7478,"parent":7049,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-partir-alasivut.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-7816","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/pages\/7816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/comments?post=7816"}],"version-history":[{"count":3,"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/pages\/7816\/revisions"}],"predecessor-version":[{"id":7823,"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/pages\/7816\/revisions\/7823"}],"up":[{"embeddable":true,"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/pages\/7049"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/media\/7478"}],"wp:attachment":[{"href":"https:\/\/instituutit.fi\/en\/wp-json\/wp\/v2\/media?parent=7816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}